Showing posts with label Haruki Murakami. Show all posts
Showing posts with label Haruki Murakami. Show all posts

Thursday, July 16, 2009

1Q84, chapter 1

If you don't want to know what the book is about, read no further.

So the linguistic nerd in me is looking for an outlet to make studying fun again. Apparently translating stuff all day for a living isn't good enough, so I've decided to do one paragraph from each chapter of 1Q84 as I read along just to give people a taste of what they otherwise couldn't read without picking up the Japanese original. I'll give the original, then the translation, then some thoughts on the chapter itself.
見かけにだまされないように。現実というのは常に一つきりです。

青豆は大きく息を吸い込み、大きく息をはいた。そして『ビリー・ジーン』のメロディーを耳で追いながら鉄柵を乗り越えた。ミニスカートが腰のあたりまでまくれあがった。かまうものか、と彼女は思った。見たければ勝手に見ればいい。スカートの中の何を見たところで、私という人間が見通せるわけではないのだ。そしてほっそくとした美しい両脚は、青豆が自分の身体の中で一番誇らしく思っている部分だった。
Translation:

Don't be fooled by outward appearances. There's always only one reality.

Aomame inhaled deeply and then exhaled. She then climbed over the railing while continuing to chase the melody of Billy Jean with her ears. Her mini skirt rolled up around her hips. "Who cares!" she thought. If they want to look, let them look. It's not like they're going to see what kind of person I am just from seeing under my skirt. Besides, her firm, alluring legs were the part of Aomame's body that she was most proud of.

Well it's a little harder to capture the art of an author's work than I was thinking, but that's basically the gist of things.

The book opens to the first of 2 main characters, Aomame. She's supposed to be a stunning beauty that doesn't try to stand out, but with an odd name like that she always gets teased (I've never heard that name, and it sounds like edamame, the green beans everyone traditionally snacks on with beer).

As with many novels, we find our subject in a very normal situation, with a twist. This time around, our girl Aomame is trapped in an endless traffic jam on the Shutoko, the Tokyo expressway, in a taxi with an abnormally good sound system. The music evokes memories she has no earthly reason to remember, then upon the suggestion of her knowledgeable driver decides to hop out and take an emergency ladder down to ground level and hop a train so she can make her meeting on time (the Shutoko is elevated).

I think that first sentence above is going to have something to do with the theme of the book - there's always only one reality. I liked how Murakami sneaks an MJ reference in there too... almost too precognizant with his timing on that one. Then again it is supposed to be 1984, so I'm sure Billy Jean was playing all over the place.

And there you have it - the highly abridged summary of chapter 1 of Haruki Murakami's 1Q84.

For an introduction to the book, go here. Stay tuned for more.

Wednesday, July 01, 2009

1Q84

I've picked up a copy of Haruki Murakami's newest novel, 1Q84. There was quite a buzz when this book came out a little over a month ago (5/29), despite the fact that the author has made it a point not to divulge much information about the book. The cover itself has no synopsis or teaser on the back or inside cover. He has told people that many wished they could've read one of his more famous previous works, Kafka on the Shore, without knowing what it was about, and thus is giving readers that opportunity this time around. This makes it sound like there might be nice twist in there somewhere, but as the first of the 2 volumes already released is 500 pages and the story doesn't end in the 2nd volume, it might take me a while to get to it!

Besides all the hype surrounding this book, what caught my attention was the title, obviously referring to the classic work of George Orwell, 1984. In Japanese 'Q' is the pronunciation of '9', and a friend of mine who marathoned the book (1,000 pages in a weekend!!) tells me that he does indeed refer to the Orwell book a few times. In respect of the author's request I haven't looked up any real details, except I did see a one-sentence description on the wiki page:
1Q84 is described as a "complex and surreal narrative" which "shifts back and forth between tales of two characters, a man and a woman, who are searching for each other." The themes consist of murder, history, cult religion, violence, family ties and love.
As this book isn't slated for translation into English anytime soon I figure it wouldn't be too bad to share. Also since this keeps most everyone that would be reading this from picking it up, I'm considering giving away the story here as I go through the book... assuming it's good enough for me to get through.

By the way, for any of those that do read Japanese I highly recommend the works of a certain Kotaro Isaka (Japanese only). Unfortunately I don't believe any of his work has been translated up to this point, but as a few of his books have been made into movies already one can hope, right?!?

Chapter summaries:
Chapter 1